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History
of Philippine Architecture
By:Architect Manuel D. C. Noche
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Other structures developed during the Spanish Period
were schools and hospitals (Ateneo Municipal,
University of Santo Tomas, Colegio de Letran,
Hospital de San Juan de Dios). Though most often
attached to the church, these structures eventually
developed into their own following the tropical
baroque style of architecture popular at the time.
The Philippine Revolution of 1887 led to the
declaration of independence from Spain. This, on the
other hand, was superceded by the transfer of power
from Spain to the United States as part of the
settlement entered by the Kingdom of Spain with the
United States after the Spanish-American war. The
Americans came to the islands in 1898. With the
arrival of the Americans came a new breed of
architectural structures. Foremost of the American
contributions to the country was the establishment
of civil government. This led to the erection of
government buildings from the city all the way to
the municipal level. Government houses dotted every
community. Designed in the most respectable manner,
these government houses resembled Greek or roman
temples complete with porticoes and pediments.
The revival period, popular at the turn of the
century, became the foremost architectural parlance
of the era as seen in such buildings as the
Government Post O). By the
mid 20`s to the eve of the second world war, Art
Deco became the bi-word for Philippine Architecture
with works such as the Metropolitan Theatre along
Plaza Aroceros, Perez-Samanillo Building, Crystal
Arcade and Capitol theatre along Escolta, State and
Avenue Theatre along Avenida Rizal, Lide and Times
Theatre along Quezon Boulevard and others.nner Daniel Burnham to develop
aftermath y of Manila and found a summer caof the second world war left nothing
but destruction in its wake, and a time of
rebuilding ensued. The modern era dawned on
Philippine architecture using the simple straight
lines of the International Modern Style as a chief
mode of expression. By the 70`s a new form of
Philippine architecture emerged with the filipinization of architecture. The Filipino style
found its way in the re-emergence of traditional
motifs, the tional motifs but were made of morebahay-kubo able materials such as concrete.and the le of
architecture prevailebahay na batohe turn of the
century. be copi
The eclectic style, a mixture of
BLISS Housing projects also found its way in some of th). By the 80`s the
country's architectural idiom was swept by the tide
of Post Modernism, a hearkening back of some sort to
the romance of classical architecture. Today,
architecture in the Philippines continue to be
vibrant and with the country opening up to the
world, more first rate architecture is pouring in. Ariston Bautista in Calle Barbosa,
brence:). By the
mid 20`s to the eve of the second world war, Art
Deco became the bi-word for Philippine Architecture
with works such as the Metropolitan Theatre along
Plaza Aroceros, Perez-Samanillo Building, Crystal
Arcade and Capitol theatre along Escolta, State and
Avenue Theatre along Avenida Rizal, Lide and Times
Theatre along Quezon Boulevard and others.
The aftermath of the second world war left nothing
but destruction in its wake, and a time of
rebuilding ensued. The modern era dawned on
Philippine architecture using the simple straight
lines of the International Modern Style as a chief
mode of expression. By the 70`s a new form of
Philippine architecture emerged with the filipinization of architecture. The Filipino style
found its way in the re-emergence of traditional
motifs, the bahay-kubo and the bahay na bato became
popular forms to be copied and modernized (Batasan
Pambansa, BLISS Housing projects). By the 80`s the
country's architectural idiom was swept by the tide
of Post Modernism, a hearkening back of some sort to
the romance of classical architecture. Today,
architecture in the Philippines continue to be
vibrant and with the country opening up to the
world, more first rate architecture is pouring in.
Reference: about the author:
Architect Manuel D. C. Noche took up
masteral studies at the Bartlett School of
Architecture & Planning, London majoring in
Environmental Design and Engineering. His love for
travelling and photography eventually led him to the
doors of the country's historic churches, which he
hopes to someday catalog in a book. He is currently
the principal architect for Art, Architecture, and
Design.
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